White noise

In “White Noise”, I take impressions on roadsides as a starting point. Every day I cycle to my studio and from the corners of my eyes observe the roadside without being aware of all the details that are visible in it. The works in White Noise can be considered as a recollection of the bike rides with all their unnoticed details.

It’s about perception and memory and how this relates to reality insofar as it exists.